SPUR commissioned three artists who utilise 3d digital making within their practice to each make a 3d augmented reality sculpture. The commissions were part of the inaugural Index Festival, which took place across Leeds & Wakefield over summer 2019.
Each artist developed a new piece of work drawing from their individual practices but exploring new software and techniques they had not previously worked with. The resulting sculptures were hosted on the Snapchat app as ‘filters’ which each viewer could access for free across the globe.
The filters are still live so please download the PDF instructions to view.
The Girl Library – a Reading Group, hosted by SPUR
As part of the exhibition Reading Gendered Words at Leeds Arts University, SPUR hosted two reading and screening groups around the theme of the word girl, where we read, watched and discussed together a number of texts that investigate the word girl and girl culture.
nawki or ‘not as we know it’, organised by 12o collective began in 2016, with the intention to experiment with the art fair model, each iteration shifts its focus to a different framework with a selection of arts organisation/spaces across the UK invited to participate, resulting in a cross organisation collaborative outcome.
The Art Licks Weekend (30 September – 2 October 2016) celebrates the creative energy of
the emerging London art scene. For the three-day festival young galleries, not-for- profit
projects, artist-run spaces and independent curatorial projects open to the public with special
events and exhibitions of work by early career artists.
For the Spring Equinox 2016, 20 March, we commissioned two artists to create a Thaumatrope which will be available to freely download from our website.
A Thaumatrope is a disk with a picture on each side which is attached to two pieces of string, when the strings are twirled quickly between your fingers the two pictures appear to blend into one.
A screening and artist talk event on 27 November 2015 for SPUR’s commission by Georgie Grace, ‘A wonderful future whereyou have back up copies’ (2015), which is part of an ongoing research project into speculative technologies, wishful thinking, and the concept of The Singularity. Beginning with the claim made by tech entrepreneurs that in the near future we might be able toscan and fully capture the data of our minds, the video explores what implications the ability to upload our brains and restore ourselves from back up would have for our concepts of time, memory, experience and risk.
The Pain Management Programme, 2015
Kadish Morris is a London based writer and poet. She has performed her work at ICA, Southbank Centre, Rich Mix and has poetry published in Popshot and most recently in It Wasn’t My Fault.
This new commission for the Landing Site took the form of a text piece; a series of instructions, questions and exercises exploring the long-term management of chronic pain. Originally presented as a continuous scrolling text installation.
Chronophobia means a fear of the future. In this audio and visual broadcast SPUR explored possible futures; to either confirm or assuage these fears through key texts that propose creative literary predictions of possible futures, fashion, stock or weather forecasting and live fortune telling.
It Wasn’t My Fault was an exhibition through publication produced for the 2015 Annuale arts festival in Edinburgh. The A5 printed publication was displayed and distributed across Annuale 2015 festival venues in Edinburgh and consists of ten new experimental prose commissions both text and image based, exploring the idea of looking towards an impending dystopian future.
SPUR undertook a residency project with Tate, as part of the wider Radio City project, organised by artists Harold Offeh and Marion Harrison, held at Tate Britain between November 2014 and February 2015, which invited artists and artist groups to contribute a project/residency, which looked at broadcasting and communication.
The typical Halloween style white bed sheet ghost, a simple, childish yet effectively subtle and to the point costume, offering full camouflage and anonymity to the wearer. Creating a mask for this ghost is individual to the wearer, inviting an artist to create this face offers an opportunity to explore the notion of subtle individuality and the limits of the imagination when provided with a very limited material.
The Female Gaze was a month long programme of events organised together by The Hyde Park Picture House, Village Bookstore & Gallery and two practising female photographers & curators Abi Mitchell of SPUR and photographer Sophie Stafford. The programme celebrated the work of exceptional female photographers past and present, as well as exploring the notion of ‘positive discrimination’ in photography through text and discussion.
Appropriation was a quick-fire, explorative print based exhibition and portfolio publication devised to examine the use of appropriation for the making of work. The project’s short deadline pushed artists to explore ideas around appropriation; seizing and taking possession of already existing material to create something new, assemblage, collage and literary based appropriation poetry.
The AOL Twitter Residency was an explorative online residency project devised to continue SPUR’s experimental residency programme by hosting artists in residence in the virtual space of our Twitter profile. The place of residency still holds the restrictions of dimension, space and use of resources yet allows for a full exploration and imaginative take on the residency process and virtual platform as a whole.
Our House was an exhibition formed from an extension of the ‘Collection of’ publication, a physical intervention of artists from the editions series alongside new specially selected & commissioned artists, seeking to interact with and take control of the gallery and overall shop space of it’s enclosure; Village Bookstore & Gallery.
A work in two parts Volume One, a printed publication and audio cassette, examined the relationship and cross overs between the different cultural elements in Leeds at the time. Including written features and interviews on emerging and well known local artists such as Idiots Pasture and Simon Boase and interviews with artist led projects such as curatorial collective & gallery space Mexico and independent print set up Inpress.